차이코프스키 - 현악 6중주 D장조 '플로렌스의 추억' - 네빌 마리너 / 카바노 조각

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차이코프스키 - 현악 6중주 D장조 '플로렌스의 추억' - 네빌 마리너 / 카바노 조각

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Tchaikovsky
Souvenir de Florence, for string sextet
or string orchestra in D major, Op. 70


Janine Jansen, viool
Vilde Frang, viool
Lawrence Power, altviool
Julian Rachlin, altviool
Nicolas Altstaedt, cello
Jens Peter Maintz, cello
Torleif Thedéen, cello
Alexander Gavrylyuk, piano

Rachmaninoff - Trio élégiaque in d klein
Tsjaikovski - Souvenir de Florence in D groot, op. 70

Opgenomen tijdens het Internationaal Kamermuziek Festival Utrecht in TivoliVredenburg.



2,1,3,4.....순으로 연속듣기

1. Allegro con spirito  9:17
2. Adagio cantabile  7:54
3. Allegro moderato  4:35
4. Allegro vivace  5:41


1890년 이탈리아 플로렌스를 방문한 차이코프스키는 여기서
이 작품의 스케치를 시작 러시아로 돌아온 그해 완성했다. 바이
올린2, 비올라2 첼로2 편성의 6중주곡은 브라암스의 2곡의
작품이 있으나 실내악에서 흔한 편성은 아니다.

이 작품에 붙어진 플로렌스의 추억은 큰 의미가 없으며 내용
적으로도 이탈리아보다 러시아적 체취가 강하며 러시아 민요 선
율도 사용되어 있다. 전 4악장 중 안단티노 제2악장의 차분한
서정이 감도는 선율이 아름답다.

이곡은 상트 페테르부르크 실내악회의 회장인 바이올리니스
트 콘스탄틴 알브레히트에게 헌정되었다

Academy of St. Martin in the Fields
Sir Neville Marriner, cond

리알토

 

 Souvenir de Florence for string sextet in D Major, Op. 70 - Pyotr Ilyich Tchaikovksy [HD]


The String Sextet in D minor "Souvenir de Florence", Op. 70, is a string sextet scored for 2 violins, 2 violas, and 2 cellos composed in the European summer of 1890 by Pyotr Ilyich Tchaikovsky. Tchaikovsky dedicated the work to the St. Petersburg Chamber Music Society in response to his becoming an Honorary Member. The work, in the traditional four-movement form, was titled "Souvenir de Florence" because the composer sketched one of the work's principal themes while visiting Florence, Italy, where he composed The Queen of Spades. The work was revised between December 1891 and January 1892, before being premiered in 1892.

Structure

I. Allegro con spirito (D minor, approx. 10:00)
II. Adagio cantabile e con moto (D major, approx. 11:00)
III. Allegretto moderato (A minor, approx. 6:00)
IV. Allegro con brio e vivace (D minor, approx. 7:00)

Analysis

The first movement is in sonata form and, without introduction, presents a rather violent yet melodic first theme in D minor. The second theme, in the dominant major key of A major, is much calmer; it flows from the first theme almost effortlessly and then proceeds into the development and recapitulation, which concludes with a quick coda.

The slow movement, in D major, has a very innocent, romantic theme initially stated by the first violin with pizzicato accompaniment before being taken up by the cello. Following interruption by an interlude for all of the instruments, the theme returns for a repeat of the first section.

The last two movements, with their distinctly Russian and folk-like melodies and rhythms, greatly contrast with the previous ones.

Arrangements

This work has also been arranged for string orchestra.

Excerpts from the score were used in the 2005 ballet Anna Karenina, choreographed by Boris Eifman.
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카노바(Antonio Canova, 1757-1822) 

Creamrose

 

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Daedalus and Icarus
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Napoleon as Mars the Peacemaker
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Letizia Ramolino Bonaparte
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Devonshire Collection, Chatsworth

 

 

Napoleon I
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Theseus and the Centaur (detail)
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Paris
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Amor and Psyche (detail)
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Marble
Mus�e du Louvre, Paris

 

Paolina Borghese as Venus Victrix (detail)
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White marble
Galleria Borghese, Rome

 

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